United Kingdom, solitary reaper analysis essays the turn of the nineteenth century. As a group, they followed no single “school” of thought or literary practice then known.
Lake District, nor was it a cohesive school of poetry. For the most part other Romantic poets either struggle with a Lake Poet identity or come to define themselves against what the Lakes seem to offer in poetic terms. Lakes became bound up with his identity as a poet. Wordsworth came back to the area in December 1799 and settled into a ‘poetic retirement’ within his ‘native mountains. Although Wordsworth did not ‘discover’ the Lake District, nor was he the one who popularised it the most, he “was destined to become one of the key attractions to the area, while his particular vision of his native landscape would have an enduring influence upon its future. Picturesque theory”, he frequently transcended it.
His ‘vision’ of nature was one that did not distort it in order to make art. Dorothy, was “the poem on the growth of my own mind. Rydal Mount – home to Wordsworth 1813-1850. Lakes by the industrialists of Lancashire particularly upset him. Use of Tourists and Residents” , and with a Section Three entitled “Changes, and Rules of Taste for Preventing their Bad Effects. Wordsworth knew and who proposed a “conservative, historicising and non-interventionist aesthetic”.
Wordsworth’s lifetime and proved to be very popular. For other writers, the region’s pull was more uncertain. Although identified by his contemporaries as a ‘Lake Poet’, Coleridge’s response to the landscape was at variance with the vision of Wordsworth, leading Coleridge to identify the landscape’s “Gothic elements””and in so doing seems to recognise a potential for psychological horror rather than solace. Coleridge’s depression over his personal life, his doubts about being able to write as he would have wished and his ill-health which was made worse by the Cumbrian climate.
Coleridge moved out of the area in 1804. Wordsworthian vision of the Lakes. Lakes as a touchstone, and as “the symbol of the nation’s covenant with God. The second generation of Romantic poets were drawn to the area by the Romantic vision of seclusion and by the perceived republican views of the older poets, but found a different reality when they arrived.