Since that time, she has written five books. Her study, which included interviews with more than 100 geisha, was considered to memoirs of a geisha critical essay excellent and received praise from scholars at the time of publication, although some retrospective scholarship is more critical. Japanese and skilled with the shamisen. In the book she writes about the life of geisha and how the world is based on tightly knit and hierarchical society of women.
She presents the history of the geisha community and explores the context in which geisha traditionally were in the forefront of fashion, which for the modern geisha is no longer true. In an interview with Salon. In the book Dalby presents essays about the social symbolism of the kimono, going back to the 12th century when an Empress had to choose a multi-layered kimono based on mood, season, and social event, without making a mistake in color or style, moving all to the present with an essay about modern Japanese women who wear kimono. Dalby says that she decided to write a fictional account of Murasaki’s life because she “couldn’t contribute anything scholarly”.
Murasaki would not have had the temperament to be a geisha because Murasaki was reserved, whereas geisha are expected to be outgoing. In the book, she follows the a system of time derived in ancient China in which a year is divided into 72 five-day periods. She claims the concept has affected her sense of time. Dalby sees herself as eccentric, reflected in her writing, where she presents unusual yet interesting material.